In Fall 2020, the English Senior Capstone course at UC Merced, led by Dr. Katherine Steele Brokaw, spent the semester researching Shakespeare and Ecology. Students read the work of several ecocritics and environmental activists, as well as A Midsummer Night’s Dream, King Lear, and Cymbeline. The students developed their own research projects, and also did collaborative research projects related to an eco-adaptation of Cymbeline, in anticipation of Shakespeare in Yosemite’s Spring 2021 production of the play.

With the new year underway, many of our collaborating theatre companies have begun rehearsing Cymbeline—if perhaps under more unusual circumstances than usual. As the covid-19 crisis continues to change how theatre makers are able to share their craft, many of our Cymbeline in the Anthropocene collaborators are adapting new ways to reach their audiences.

We are delighted to announce that internationally distinguished Argentinian playwright, translator, actor, and opera and theatre director Mónica Maffía will be joining Cymbeline in the Anthropocene. Dr. Maffía will create a new translation of Cymbeline in Castilian Spanish, which will be performed by her Buenos Aires-based theatre company, Setebos.

Sharing Cymbeline, a community-sourced virtual project run by Shakespeare Link UK, has entered the action-packed, final half of Cymbeline. Submissions remain open for community performances of excerpts from the play's final act. In the videos below, directors of the Willow Globe Susanna Best and Philip Bowen (click here for our recent interview with Susanna and Philip!) recount the play's spectacular climax and denouement, giving potential community actors context for their performances.

Continuing our series of interviews with our collaborating directors, we turn to Susanna Best and Philip Bowen of the Willow Globe theatre, located in the Welsh countryside. Read on to find out how the Shakespeare Link UK company of this living, tree-grown theatre are adapting their theatre practice to the ongoing pandemic, along with some hints about their upcoming Cymbeline production!

In the second of our interviews with Cymbeline in the Anthropocene's collaborating directors, we spoke to Dunay Yespaev Amandykovich of the Stanislavsky Theatre in Karaganda, Kazakhstan. Read below for a glimpse of how theatres in Kazakhstan are adapting to Covid-19 conditions, and keep an eye on this blog for more directors' interviews soon!

The Willow Globe team's Sharing Cymbeline project recently presented their community's latest renditions from act III of Cymbeline. Act III is rife with deception, revenge schemes, secret identities, unwitting family reunions, and a classically cross-dressed heroine, with Innogen disguised as Fidele to escape a murder plot.

After a brief summer break in August, the Cymbeline in the Anthropocene blog is back this month! This week, we are sharing an interview with our Willow Globe team member Evelyn O'Malley, conducted by actor Jamie Wilkes for Shakespeare Link UK. 

At the first ever Cymbeline in the Anthropocene meeting in January, our collaborators gathered in Santa Barbara, California, to exchange ideas. After the first day of introductions, directors and actors took to the stage to experiment with sections of Cymbeline in person. One result was a staging by actors of the local Lit Moon Theatre Company of the strangely beautiful burial of Fidele/Innogen during a thunderstorm, which merged ideas about ecological grief into the elegiac dialogue. Read Shakespeare in Yosemite co-director Katherine Steele Brokaw's thoughts on this scene below, and watch the video for a glimpse at what an ecodramaturgical Cymbeline might look like.

In the coming months, Cymbeline in the Anthropocene will be interviewing our collaborating directors to check on how their companies are adapting through the ongoing Covid-19 pandemic. Here is our first interview in the series, with Rob Conkie, who is based at La Trobe University in Melbourne Australia. Keep an eye on the blog for more interviews soon!