A recent article by Lily Janiak published in the San Francisco Chronicle captures the urgent entanglement of Shakespeare and ecological crisis that forms the focus of Cymbeline in the Anthropocene.

"Every theatre performance is a kind of game," begins Tim Carroll, illustrating his vision of directing theatre in this interview on Shakespeare Link UK's website. A part of Shakespeare Link's "Sharing Shakespeare" series, Carroll's interview offers insight into how a director makes (and sometimes breaks) the game rules of every performance. 

As numerous theatres and arts organizations take action in solidarity with Black Lives Matter, Shakespeare's Globe has joined the global movement.

If music be the food of love, Cymbeline in the Anthropocene is feasting on this Spotify playlist put together by our collaborators.

The new coronavirus is a frighteningly accelerated version of the incremental disruptions of climate change. Both are Anthropocene crises because they confound or collapse connections between local and global environments normally believed to be safely distanced and manageable. Here I'll explore how a COVID-19 context affects the roles of Jupiter and Giacomo, and alters the emotional – and potentially transformative -- impacts of the play’s tragicomedy.

Cymbeline in the Anthropocene group discussion of the play's ecology on Day 2 of the Santa Barbara meeting, January 25, 2020.

In the past three decades ecology has lit a greening fire across disciplines, from environmental history to environmental management, from ecofeminism to green economics. Greening artistic values have spawned land-art, site-specific dance, nature writing, and music with whales.